Archive for 2008













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Sourav Ganguly Lift by team Member in his Last Match - India Vs Australia 2008,4th test nagpur uploaded with respect

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Exclusive Song Promo From Karan Johar's Next Dostana Starring Abhishek Bachchan,John Abraham And Priyanka Chopra [2008]!!

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So what exactly is the 2010 BMW V Series? Well, take the nearly indescribable X6 pseudo SUV, chop the roof down a little, add a few inches to the wheelbase and stuff the interior full of all the latest technology BMW has to offer. Still don't understand what BMW is going for here? You're not alone.

The story goes that after seeing the lukewarm reception to the Mercedes-Benz R-Class, BMW backed away from building a similar people mover of its own. But instead of ditching the idea altogether, BMW refined the concept a little, and the prototype you see here is the result.

Like the X6, the V Series is expected to have seating for four. The big difference will be how much room the passengers in the backseat will enjoy. In the X6 it's a tight fit; in the V Series it will be spacious. A high roof line and hatchback rear end are the reasons. Together they give the V Series a unique look that could make or break this unusual sedan.

As big as it looks, the V Series is expected to ride on the next-generation 5 Series platform, so expect a wheelbase of about 115 inches. It doesn't appear much wider than BMW's current sedans, and although the roof is obviously higher than a 5 Series, it's still considerably lower than the X6.

Given the size of the V Series and its position between the 5 and 7 Series sedans, we expect to see a V8 engine as the standard power plant. The new twin-turbo 4.4-liter V8 used in the X6 is a good bet. Then again, tougher mileage standards in the U.S. could prompt use of BMW's latest clean diesel power plants. Both rear-wheel- and all-wheel-drive versions of the V Series are likely.

Look for the official debut of the 2010 BMW V Series at the 2009 Frankfurt Auto Show. Sales in the U.S. should begin by either late 2009 or early 2010.

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The big question that has always dominated debate among James Bond aficionados has been this — who is the greatest 007 of them all?

Now, with the second film in the relaunch of the franchise, they must face a new question — is Quantum of Solace the most boring Bond film ever?

Following Casino Royale was never going to be easy, but the director Marc Forster has brought the brand’s successful relaunch crashing back to earth — with a yawn. Even we Bond agnostics could see that Royale had its memorable moments, but Quantum of Solace is $200m worth of bland crash-bang-wallop. It’s an action film on autopilot, one that produces instant amnesia. By the time you have left the cinema, you won’t remember a thing. The trick, of course, is to get a balance between the Bond formula and something fresh. Every time Forster tries to push the feelgood buttons of Bond’s glorious past, however, he totally misses the mark, depriving us of traditional treats. It’s like a panto without a wicked witch.

Consider the Bond theme song. Why is it so difficult to write a decent Bond tune? (Answer: because, in the days of John Barry, nobody worried about market demographics.) The latest concoction, Another Way to Die, performed by Alicia Keys and Jack White, is a soulless slice of rock’n’soul sludge. The opening credits, featuring female body shapes emerging from desert sands, look like a cheesy 1970s television ad for a brand of cheap scent. For the big opening scene — a key feature of the Bond film — what do we get? A car chase you can’t enjoy, because the cars and characters disappear in a blur of frantic editing.

From this point in, it’s all downhill. The screenplay, by Paul Haggis (Crash), Neal Purvis and Robert Wade, is at times incomprehensible. It’s assumed that you know Casino Royale by heart and understand the intricacies of Bond’s relationship with his true love, the late Vesper Lynd. Did she betray him or try to save him? Search me, guv.

And it’s unclear what her relationship was to the secret organisation Bond and MI6 are trying to penetrate, headed by the eco-champion Dominic Greene (Mathieu Amalric), who wants to take control of the water supply of the whole of South America. Greene is a thug who topples governments at the click of his fingers, abolishes the minimum wages of factory workers and sells great hunks of the rainforest for a fast buck. This is a Bond villain? It’s the perfect CV for a career at the World Bank.

Then there is 007 himself. James, what have they done to you? He has been stripped of any traces of charm, wit or intelligence, and is just another modern hero, concerned only with his own hang-ups and emotional issues. Feelings of grief and guilt over Vesper — not any notion of duty — propel him into action. He’s a thug with a broken heart, trying to find closure through killing. James, get over it and get back to work. Would any kid, or middle-aged fantasist, want to be like this back-to-basics Bond? The glamour is gone; the crack of broken bones has replaced the clink of martinis. In the most recent film, we saw his testicles whipped; here, they are removed. Not, I hasten to add, by a villain, but by the screenplay. The great thing about being 007 is that you get to sleep with beautiful women — all the time. In the new age of Bond realism, however, he gets a quickie with Agent Fields (Gemma Arterton) and nothing with his leading lady, Camille (Olga Kurylenko). Bond directors, take note: more sex, please, we’re British.

At the heart of the story is a question: who can you really trust? The Bond series has finally embraced what might be called John le CarrĂ© relativism: the notion that the “good” guys are as morally grubby as the “bad” guys. Indeed, one of the characters says, “There is no good and evil” — as if this were a daring proposition. Yet every film these days says it. It would be more daring to suggest that there are no shades of grey, only right and wrong. So, Bond ends up being hunted by both MI6 and the CIA as if he were the villain.

You would expect some memorable performances from an actor’s director such as Forster — the man who made Halle Berry look talented in Monster’s Ball — but the casting is a mess. Kurylenko is cute and capable, but Amalric, while he looks like a young Polanski, has the menace of a mouse. The weakest link, though, is Craig. Yes, he looks good in a tuxedo, and is terrific when it comes to action sequences. Paradoxically, however, even though we’re meant to have a very human Bond on display, he moves through the film with the cold, mechanistic manner of Schwarzenegger’s Terminator. No comic quips or human touches are capable of piercing the armour of those tight, puckered lips. In Craig, the 007 franchise has found a great face (and body), but it has not found a voice or a visual style it can call its own. Bond has been stripped of his iconic status. He no longer represents anything particularly British, or even modern. In place of glamour, we get a spurious grit; instead of style, we get product placement; in place of fantasy, we get a redundant and silly realism. Craig makes an attractive corpse, but Bond is dead.

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Some things can never change. And never will! One may have a very modern outlook towards life, but most of us continue to be very traditional at heart. Every Rajshri film is rich in emotions and mirrors the traditions and culture with utmost simplicity and understanding. EK VIVAAH... AISA BHI is no exception!

The present-day adaptation of Rajshri's own classic TAPASYA [Raakhee, Parikshit Sahni], EK VIVAAH... AISA BHI is a simple story of sacrifice that aims at pulling your heart strings. Every Rajshri film works for two reasons -- the storyline and strong emotions -- and EK VIVAAH... AISA BHI follows the tradition well
Of course, a story like the one in this film may seem regressive to the multiplex junta of metros, but the fact remains that cinema is all about narrating stories and EK VIVAAH... AISA BHI has a strong story to tell. Besides, there're ample moments in this film that strike a chord, that touch the core of your heart, that make you moist-eyed. And that's where this film scores big time. It's really disheartening to note that family sagas have actually disappeared from the face of Hindi movies. Come, watch EK VIVAAH... AISA BHI with your family and re-connect with your roots!
Chandni [Isha Koppikar] belongs to a middle class family, living in one of the tiny bylanes of Bhopal. She lives with her father and younger siblings -- Anuj [Master Amey Pandya/Vishal Malhotra] and Sandhya [Baby Ishita Panchal/Amrita Prakash]. Chandni, who is deeply attached to her school-going brother and sister, is trained in classical and folk music. During a stage performance, she falls in love with Prem [Sonu Sood]. Prem hails from a rich business family.

Life is picture perfect, until on the day of their engagement, Chandni's father [Alok Nath] passes away. Suddenly, she becomes the eldest in her family. On one hand, her mehendi adorned hands beckon her to the dream home of her fiancé. On the other hand are her younger siblings whom she cannot take along. Chandni decides not to marry, so that she can raise her little brother and sister with self respect.

Prem understands her and waits for Chandni for twelve long years, until she fulfils all the responsibilities as an elder sister.

Debutante director Kaushik Ghatak [a known name on television circuit] remains faithful to the subject material and most importantly, captures the sensitive moments well. The tale of sacrifice has been witnessed time and again, but it works only if the characters make you cry, even weep. In the latter part of EK VIVAAH... AISA BHI, you can't stop tears rolling down your cheeks at several points in the story, especially the Raksha Bandhan sequence and towards the end, when the brother returns with his wife. Rajshri has placed ample trust in Ghatak and the debutante doesn't let you down one bit.

On the flipside, the music [Ravindra Jain] could've been better. 'Mujhme Zinda Hai Woh' is the only track that merits a mention. Also, too many songs in the first hour put you off after a point. Dialogues are good at places
Both Sonu Sood and Isha Koppikar vie for top honours. Sonu is restrained, mature and acts the part well. Isha is first-rate, exuding simplicity and strength that this character demands. Alok Nath is very good. Ditto for Vallabh Vyas and Smita Jaykar. Vishal Malhotra springs a surprise. He's excellent. Chhavi Mittal is effective as the sister-in-law. Amrita Prakash doesn't get much scope. Anang Desai is okay.

On the whole, EK VIVAAH... AISA BHI is akin to a delicious Indian thali in times of Pastas and Pizzas. You may opt for international cuisine at times, but Indian food, for an Indian at heart, would never go out of vogue. At the box-office, expectedly, the film may start slow, but it has the merits to climb the ladder with each passing show. The strategy of releasing the film at single screens and that too at limited centres makes wise business sense, since EK VIVAAH... AISA BHI is not the multiplex kind of movie. Business at single screens of Gujarat, Uttar Pradesh, Rajasthan, Madhya Pradesh and Bihar should be the best.

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The 'loan culture' has caught on in a big way. A majority of people have availed of assorted loans, at some point or other. That makes EMI relevant, identifiable. Debutant director Saurabh Kabra picks up incidents from real life and depicts the pros and cons of availing loans. In this film, four different stories run parallel, plus there's a 'Bhai', who not only recovers outstanding dues from defaulters, but also sorts out their personal lives.

Sadly, the story doesn't do justice to its title. It starts on an interesting note, but transforms into atypical masala film, where the 'Bhai' plays the good Samaritan and even solves personal problems. Wait, the recovery agent too falls head over heels in love with one of the defaulting members and much of the second hour is devoted to it. Clearly, the story starts off on a different note and ends up being something else altogether!

To cut a long story short, EMI loses focus midway and hence, loses balance. Watch it for Sanju's sake, who plays the lovable 'Bhai' with flourish.

Sattar [Sanjay Dutt], owner of Good Luck Recovery Agency, is the saviour and the solution for all those caught in the debt trap. From Bhaigiri to business to politics to social work -- that's how Sattar wants to progress in life. He has already graduated from Bhaigiri to business and is now eager to jump into politics.

Most sought after by banks, telecom companies and various multinationals, today his Good Luck Recovery Agency is a leading recovery agency. Sattar follows a simple rule when it comes to his business -- Loan liya hai to chukana padega.

But will Sattar succeed in using this simple principle when dealing with disparate characters and cases like Anil-Shilpa [Aashish Chowdhary-Neha Uberoi], Chandrakant-Arjun [Kulbhushan Kharbanda], Ryan-Prerna [Arjun Rampal-Malaika Arora Khan] and Prerna [Urmila Matondkar]?

Money crunch? Need a house? Looking at a car? Wanna travel abroad? Pick up a loan for just about everything today. The pesky calls at odd hours, the sweet talk and rosy picture painted by financial institutions, before you pick up a loan -- EMI picks up stories/incidents from real life. Interesting!

But EMI does a somersault as it deviates from fact to fiction and follows the beaten path in its second half. And that's when the film slips. While the writing clearly lacks dum in the post-interval portions, a few scenes do register an impact, courtesy Sanju.

Director Saurabh Kabra's choice of the subject in perfect, but the writing gives away. Chirantan Bhatt's music is strictly okay. Dialogues are strong at places.

After a lacklustre performance in KIDNAP, Sanju is in elements in EMI. Remove him from the film and the movie would fall to abysmal levels. Arjun Rampal is natural. Urmila doesn't really get scope. Malaika looks alluring, that's it! Aashish Chowdhary and Neha Uberoi don't look too believable. Kulbhushan Kharbanda stands out.

It's the goons, the Bhai's henchmen, who add spice to the goings-on, especially Manoj Joshi, Snehal Dabhi and Dayashankar Pandey.

On the whole, EMI has its share of interesting moments, but they are few and far between. Disappointing!

Ratings : 1.5 / 5

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Sophie Chaudhary Interview on her upcoming film Ice Cream

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Katrina Kaif and her long time superstar beau Salman Khan confess their love for each other, and get candid about their relationship.

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Bollywood legend Movie Director Producer BR Chopra Passes Away.

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This election had many firsts and many stories that will be told for generations. But one that's on my mind tonight is about a woman who cast her ballot in Atlanta. She's a lot like the millions of others who stood in line to make their voice heard in this election except for one thing - Ann Nixon Cooper is 106 years old.

She was born just a generation past slavery; a time when there were no cars on the road or planes in the sky; when someone like her couldn't vote for two reasons - because she was a woman and because of the color of her skin.

And tonight, I think about all that she's seen throughout her century in America - the heartache and the hope; the struggle and the progress; the times we were told that we can't, and the people who pressed on with that American creed: Yes we can.

At a time when women's voices were silenced and their hopes dismissed, she lived to see them stand up and speak out and reach for the ballot. Yes we can.

When there was despair in the dust bowl and depression across the land, she saw a nation conquer fear itself with a New Deal, new jobs and a new sense of common purpose. Yes we can.

When the bombs fell on our harbor and tyranny threatened the world, she was there to witness a generation rise to greatness and a democracy was saved. Yes we can.

She was there for the buses in Montgomery, the hoses in Birmingham, a bridge in Selma, and a preacher from Atlanta who told a people that "We Shall Overcome." Yes we can.

A man touched down on the moon, a wall came down in Berlin, a world was connected by our own science and imagination. And this year, in this election, she touched her finger to a screen, and cast her vote, because after 106 years in America, through the best of times and the darkest of hours, she knows how America can change. Yes we can.

America, we have come so far. We have seen so much. But there is so much more to do. So tonight, let us ask ourselves - if our children should live to see the next century; if my daughters should be so lucky to live as long as Ann Nixon Cooper, what change will they see? What progress will we have made?

This is our chance to answer that call. This is our moment. This is our time - to put our people back to work and open doors of opportunity for our kids; to restore prosperity and promote the cause of peace; to reclaim the American Dream and reaffirm that fundamental truth - that out of many, we are one; that while we breathe, we hope, and where we are met with cynicism, and doubt, and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of a people:

Yes We Can. Thank you, God bless you, and may God Bless the United States of America.

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The road ahead will be long. Our climb will be steep. We may not get there in one year or even one term, but America - I have never been more hopeful than I am tonight that we will get there. I promise you - we as a people will get there.

There will be setbacks and false starts. There are many who won't agree with every decision or policy I make as President, and we know that government can't solve every problem. But I will always be honest with you about the challenges we face. I will listen to you, especially when we disagree. And above all, I will ask you join in the work of remaking this nation the only way it's been done in America for two-hundred and twenty-one years - block by block, brick by brick, calloused hand by calloused hand.

What began twenty-one months ago in the depths of winter must not end on this autumn night. This victory alone is not the change we seek - it is only the chance for us to make that change. And that cannot happen if we go back to the way things were. It cannot happen without you.

So let us summon a new spirit of patriotism; of service and responsibility where each of us resolves to pitch in and work harder and look after not only ourselves, but each other. Let us remember that if this financial crisis taught us anything, it's that we cannot have a thriving Wall Street while Main Street suffers - in this country, we rise or fall as one nation; as one people.

Let us resist the temptation to fall back on the same partisanship and pettiness and immaturity that has poisoned our politics for so long. Let us remember that it was a man from this state who first carried the banner of the Republican Party to the White House - a party founded on the values of self-reliance, individual liberty, and national unity. Those are values we all share, and while the Democratic Party has won a great victory tonight, we do so with a measure of humility and determination to heal the divides that have held back our progress. As Lincoln said to a nation far more divided than ours, "We are not enemies, but friends...though passion may have strained it must not break our bonds of affection." And to those Americans whose support I have yet to earn - I may not have won your vote, but I hear your voices, I need your help, and I will be your President too.

And to all those watching tonight from beyond our shores, from parliaments and palaces to those who are huddled around radios in the forgotten corners of our world - our stories are singular, but our destiny is shared, and a new dawn of American leadership is at hand. To those who would tear this world down - we will defeat you. To those who seek peace and security - we support you. And to all those who have wondered if America's beacon still burns as bright - tonight we proved once more that the true strength of our nation comes not from our the might of our arms or the scale of our wealth, but from the enduring power of our ideals: democracy, liberty, opportunity, and unyielding hope.

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I just received a very gracious call from Senator McCain. He fought long and hard in this campaign, and he's fought even longer and harder for the country he loves. He has endured sacrifices for America that most of us cannot begin to imagine, and we are better off for the service rendered by this brave and selfless leader. I congratulate him and Governor Palin for all they have achieved, and I look forward to working with them to renew this nation's promise in the months ahead.

I want to thank my partner in this journey, a man who campaigned from his heart and spoke for the men and women he grew up with on the streets of Scranton and rode with on that train home to Delaware, the Vice President-elect of the United States, Joe Biden.

I would not be standing here tonight without the unyielding support of my best friend for the last sixteen years, the rock of our family and the love of my life, our nation's next First Lady, Michelle Obama.

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If there is anyone out there who still doubts that America is a place where all things are possible; who still wonders if the dream of our founders is alive in our time; who still questions the power of our democracy, tonight is your answer.

It's the answer told by lines that stretched around schools and churches in numbers this nation has never seen; by people who waited three hours and four hours, many for the very first time in their lives, because they believed that this time must be different; that their voice could be that difference.

It's the answer spoken by young and old, rich and poor, Democrat and Republican, black, white, Latino, Asian, Native American, gay, straight, disabled and not disabled - Americans who sent a message to the world that we have never been a collection of Red States and Blue States: we are, and always will be, the United States of America.

It's the answer that led those who have been told for so long by so many to be cynical, and fearful, and doubtful of what we can achieve to put their hands on the arc of history and bend it once more toward the hope of a better day.

It's been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America.

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If President Elect Obama were the incoming CEO of a corporation, he would now be preparing for the first act of his tenure: A massive write-off of the mountains of rotted junk buried on the company's balance sheet and an announcement that recovery will take a long, long time.

This flush would clear the way for several years of better than expected results. It would also take advantage of the new leader's one chance to blame the sorry state of the organization on his sorry predecessor.

President Obama began this process last night, in his victory speech, when he noted that restoring the country's health might take more than a term. In the next few weeks, he should go well beyond this: * The deficit will be more than $1 trillion a year for several years * The country needs a massive new fiscal stimulus * The housing market will continue to decline through at least 2010 * Interest rates and taxes will eventually have to rise (after the economy stabilizes) * Weak corporations have to be allowed to fail * Millions of homeowners will lose their house * Unemployment will probably rise to 10% * The government simply cannot "bail the country out" -- not because it lacks the will, but because it lacks the power

In short, Obama needs to acknowedge reality, erring on the side of overstating the problems and challenges, and he needs to prepare the country for several tough years. Because if he doesn't, within six months of his taking office, the country will have forgotten all about the prior administration and will instead be blaming everything on him.

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The official UK teaser trailer for James Bond Quantum of Solace. Quantum of Solace will be released in the U.K. on October 31, 2008. Betrayed by Vesper, the woman he loved, 007 fights the urge to make his latest mission personal. Pursuing his determination to uncover the truth, Bond and M (JUDI DENCH) interrogate Mr White (JESPER CHRISTENSEN) who reveals the organisation which blackmailed Vesper is far more complex and dangerous than anyone had imagined.

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Anil Kumble Last Over of his Test carrer

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Anil Kumble giving his last interview at Kotla to Ravi Shashtri.



Kumble with his family at the feroz shah kotla ground in his last test

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A nice song with the presence of the ever lovable Shahrukh Khan

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Awesome Translated Bentee Chaupai written by the 10th Sikh Guru Gobind Singh Ji.
This hymn was song by Rajinder Singh (UK) Sikh Missionary Society

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gautam gambhir sledging and fighting with shane watson and simon katich in 3rd test delhi

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Two years ago, Rohit Shetty came up with a breezy entertainer GOLMAAL, which, most people agree, is the capable director's finest work to date. The comic scenes hit the right notes and buttons. Perhaps, that must've prompted its producers [Shree Ashtavinayak] and Rohit to continue with the GOLMAAL series.

But GOLMAAL RETURNS treats the viewer like a nitwit, with zero brains. No-brainer laughathons have worked in the past and people have catapulted these films to 'must watch again and again' category. But GOLMAAL RETURNS is simply unbearable!

35 years ago, the Kiran Kumar - Radha Saluja comedy AAJ KI TAZAA KHABAR [1973] is the inspiration for GOLMAAL RETURNS. No issues with that, it's an interesting concept. But screenplay writer Yunus Sajawal makes a mincemeat of the material, so much so that your head starts aching after a point and you want to tear your hair in disgust.

Seriously, what was the writer thinking when he came up with a pathetic screenplay? And how did a talented director like Rohit Shetty agree to ride on it? And how could an accomplished actor like Ajay Devgan green signal this enterprise? Questions, questions, questions…

GOLMAAL RETURNS was never meant to be a thinking man's film, but the attitude is, no-brainer comedies have worked and this one will work too. To give the credit where it's due, a few jokes/sequences involving Tusshar and Shreyas do bring a smile on your face, but in the absence of a tight screenplay, the film falls like a pack of cards.

Final word? Golmaal hai bhai script golmaal hai!


Gopal [Ajay Devgan], who lives with his wife Ekta [Kareena Kapoor], sister Esha [Amrita Arora] and brother-in-law Lucky [Tusshar Kapoor], gets stuck in a yacht after saving an attractive woman Meera [Celina Jaitly] from some goons. Both end up spending the night on the yacht and when he comes home the next day, his painfully suspicious wife, who is also a hardcore fan of the saas-bahu serials, smell fish.

Gopal knows it's going to be hard to quell her suspicion, so he concocts a cock-and-bull story about having stayed the night with a fictitious friend called Anthony Gonsalves. Ekta refuses to buy his yarn and writes to Anthony [on a fictitious address given to her by Gopal], asking him to visit her.

Gopal convinces his junior at work, Laxman [Shreyas Talpade], to pretend to be Anthony. Everything goes according to plan till the real Anthony turns up.

If that isn't complication enough for Gopal, a dead body is discovered at the location where he had saved Meera. The Investigating Officer, Madhav [Arshad Warsi], who is Esha's boyfriend and also who cannot stand the sight of Gopal, learns that the latter had been missing from home that eventful night and begins checking on him.

A sequel carries the baggage of humungous expectations. And you definitely expect GOLMAAL RETURNS to be a step forward. The makers had thundered, "GOLMAAL RETURNS is bigger, it's better" and that raises the bar. But the film is such a put off.

Writer Yunus Sajawal takes an interesting premise, but instead of upgrading it, only downgrades it with lacklustre situations. The writing is so weak, so lifeless that after a point you sit motionless, looking at the goings-on mechanically, instead of being a participant.

A few sequences do entertain you, but they're few and far between. Not enough to camouflage the defects. In view of the fact that the writing is so weak, there's not much that director Rohit Shetty can do to save the ship from sinking. However, the dialogues are howlarious. Music is not as inspiring. 'Tha Karke' is the best track, while 'Tu Saala' [well promoted] isn't there in the film and 'Meow' comes during the end credits. And you're exasperated by then!


GOLMAAL RETURNS belongs to Tusshar Kapoor and Shreyas Talpade. Tusshar is terrific yet again, the real scene stealer, while Shreyas displays his comic side very well. Both, in fact, provide respite to the viewer. Ajay Devgan is likable. Kareena does the suspicious wife act well. Celina stays on your mind even after the show is over.

Arshad Warsi is relegated to the backseat. Amrita Arora is strictly okay. Anjana Sukhani gets no scope. Vrajesh Hirjee is alright. Sharat Saxena, Rakhi Vijan, Sanjay Mishra, Murli Sharma, Mukesh Tiwari and Ashwini Kalsekar fill in the blanks.

On the whole, there's tremendous curiosity to watch GOLMAAL RETURNS and the terrific promotion has only enhanced the excitement. But the film is a major letdown in terms of content. Barring a few jokes and gags, this GOLMAAL pales when compared to its first part. At the box-office, expect a terrific start for the film, but GOLMAAL RETURNS lacks the power to stand on its feet after the initial euphoria settles down.

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Are you ready for an expose on the fashion industry? Where designers pass off 'Indira Market, Bangkok' stuff as their own creation. Where ad agency/fashion mag honchos call the shots. Wild lifestyles, backstage dramas, wardrobe malfunction, casting couch… ouch, ouch, ouch!

Madhur Bhandarkar, the undisputed king of realistic fares, comes up with yet another hard-hitting film that enlightens you, moves you, motivates and deflates you, even shocks and surprises you and of course, entertains you.

The solid reason why FASHION works is because Madhur brings alive everything you've read in newspapers or watched on TV as an outsider, to the big screen. And that works and how!

But let's not give the subject material all importance, for Madhur's handling of the subject is exemplary. Madhur dresses up his mannequins well, but most importantly, infuses life in those prime bodies. A number sequences leave you tongue-tied [more on that later].

But there's a hitch. And this problem tones down the impact considerably. The running tine of almost 2.40 hours makes you restless, especially the penultimate 25-odd minutes. Yet, all said and done, FASHION has all it takes to be the showstopper this Diwali!

FASHION tells the story of a small-town girl with a dream and the determination to make it a reality. Meghna [Priyanka Chopra] is ambitious, she wants to attain the status of a supermodel. She realises her dreams and rises to walk the ramps for leading designers across India.

But Meghna has to pay the price for her fame and her journey to the top. Her career starts sliding downwards. In this journey of Meghna, she encounters a number of people. Most importantly, Shonali [Kangna Ranaut] and Janet [Mugdha Godse]. Also, Abhijit Sareen [Arbaaz Khan], a tycoon who controls the fashion industry.

CHANDNI BAR, PAGE 3, SATTA, CORPORATE, TRAFFIC SIGNAL -- every Madhur Bhandarkar film has a new story to tell and he tells it most convincingly. In fact, Madhur strikes a fine balance between realism and entertainment in every film. Given the fact that FASHION is all about the fashion industry, the narrative is inevitably filled with lots of glam-n-glitz moments. The fashion shows, the stunning models, the superb styling, the vibrant colours and the behind the scenes drama is worth every penny spent on the ticket.

But it's not just ramp shows and style-n-fashion here. There's a story running concurrently -- of three models. One, the rise of an unknown into a supermodel. Two, the fall of a supermodel to dust. Three, the ambitious model not achieving success, but opting for a marriage of convenience.

While Madhur has handled the theme as if he were an insider, this review would be incomplete if you ignore two major sequences that are simply outstanding. One, Kangna's wardrobe malfunction and two, when Priyanka exposes Arbaaz to his wife [Suchitra Pillai].


Mahesh Limaye's cinematography captures every aspect of the fashion industry to the fullest. The screenplay [Madhur Bhandarkar, Anuradha Tiwari, Ajay Monga] is perfect, except for the penultimate portions. Niranjan Iyengar's dialogues are fantastic. Nitin Chandrakant Desai's production design is truly upmarket. The costumes and styling are top notch, a feast for the eyes. Salim-Sulaiman's music is well synchronised as well. 'Mar Jaava' and 'Jalwa' are lilting creations.

Madhur places immense trust on Priyanka and she is remarkable all through, more towards the second hour. Post AITRAAZ, FASHION is another medal that shines the brightest when you look at her body of work. But the real star is Kangna. Her role may not be as lengthy as that of Priyanka, but the actress pitches in an awesome performance. Her confidence at the very start is infectious and her overall performance deserves an ovation.


Mugdha Godse is, again, supremely confident. She has dum. Arbaaz Khan is first-rate. Arjan Bajwa does well. Harsh Chhaya, the gay designer, stands out with a realistic performance. Ashwin Mushran, Priyanka's confidante, is top notch. Samir Soni is good. Suchitra Pillai and Kittu Gidwani are effectual. Raj Babbar and Kiran Juneja are seasoned in such roles.

On the whole, FASHION has tremendous curiosity value and also shock value for the Indian audiences. Its subject -- the behind the scenes working and drama of the fashion industry -- is its USP. At the box-office, the pre-release hype and buzz will ensure a successful run for the film. Its business at multiplexes mainly should be bountiful. However, trimming the film will only help; not only will it enhance the film, but also its business. Must watch!

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For the first time ever, Mumbai city has seen a shootout inside a public bus. At around ten on Monday morning, a passenger shot at another inside a BEST bus. The gunman was later shot dead by the police. He has been identified as Rahul Raj. He boarded the double-decker bus that runs between Andheri and Kurla.

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'NOT 4 SALE' ALBUM IN STORES NOW!!!
KARDINAL 'DANGEROUS' feat. AKON (Official Video)
AVAILABLE on iTUNES Now!
The 1st Single from
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Diwali Mela at New York City 2008, Manhattan South East SeaPort Pier 17, Fire Works,Crackers,Festival

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MUMBAI EX-SHOWROOM PRICE--65000 /-

SPECIFICATIONS AND FEATURES:-
Name: FZ16
Type: Naked
Top Speed: 132kph
Fuel Consumption:
City 36.00
Fuel Consumption:
Highway 47.00

ENGINE SPECIFICATIONS
Displacement: 153cc
Engine: Air-cooled, 4-stroke, SOHC
Maximum Power: 14bhp@7500rpm
Maximum Torque: 13.6Nm@6000rpm
Gears: 5 Manual
Clutch: Constant Wet Multi Plate
Bore: 58
Stroke: 57.9
No. of Cylinders: 1
Valve Per Cylinder: 4
Chassis Type: Diamond
Cooling Type: Air Cooling

DIMENSIONS
Length: 1975.00 mm
Width: 770.00 mm
Height: 1045.00 mm

OTHER SPECIFICATIONS
Weight: 126.00 kg
Ground Clearance: 160.00 mm
Fuel Tank: 12.00 ltrs
Wheelbase: 1335.00 mm
Headlamp: 12V35W / 35W+35W
Wheel Type: 5 Spoke Alloys
Wheel Size: 100/60 - 140/60 mm
Tubeless:
Colors: Lava Red, Midnight Black and Flaming Orange

ACTIVE AND PASSIVE SAFETY
Suspension(Front): Telescopic
Suspension(Rear): Monocross
Brakes: 267mm Hydraulic Disc
Brakes(Rear): Drum
Stand Alarm: yes

COMFORT AND CONVENIENCE
Fuel Guage: Digital
Self Start: yes
Tacho Meter: Digital
Trip Meter: Digital-1
Alloys: yes
Speedometer: Digital
Step-up Seat: yes
Pass-light: yes
Low Fuel Indicator: yes
Low Oil Indicator: yes
Low Battery Indicator: yes

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Sensex falls below 8000 mark, Gunman killed in shoot-out in BEST bus, and much
more. For more news and updates keep logging our website headlinesindia.com

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'Golmaal Returns' promises fun unlimited, Harbhajan, Mona Singh are 'Ek Khiladi
Ek Haseena' winners and more. For more news keep logging our website headlinesindia.com

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Sonam Kapoor set the ramp on blaze at the 'Gitanjali Fashion Week' for designer Tarun Tahiliani in Mumbai recently. Let's watch what they have to say about it.

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On the 3rd day of 'Gitanjali Fashion Week' Bollywood actresses Sameera Reddy and Kim Sharma set the ramp on fire for designers Raghavendra Rathod and Arjun Khanna respectively. Let's watch what they have to say about it.

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Kim Sharma strutted down the ramp enjoying an ice cream cone for Arjun Khanna's at Lakme Fashion Week. The collection titled Ice Cream was offered in delicious vanilla color with an ice-cream parlor set on the ramp

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desi girl full song from film dosana with abhieshek bhachan , priyanka chopra and john abraham...
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hindi film movie 2008

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shut up & bounce full song dostana new hindi movie 2009 shut up and bounce new hindi movie full song new hindi movie promo new bollywood movie trailer new hindi movie full song

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